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West Chester University
West Chester University
Home Course Syllabi and Announcements Notebook for Topics in Literature: Imaginary Worlds (Spring 2008) Notebook for Topics in Literature: Rites of Passage (Spring 2006) Notebook for Effective Writing I (Spring 2006) Go Exploring Notebook for Topics in Literature: Imaginary Worlds (Fall 2005) Notebook for Effective Writing I (Fall 2005) Go Exploring
LIT 165 Syllabus
LIT 165 Announcements and Assignments
WRT 120 Syllabus
WRT 120 Announcements and Assignments
A Reading of THE TEMPEST
Goals of the Course
Fundamental Questions about Literature
Valuing Literature
Critical Thinking and Reading Literature
Critical Approaches to Literature
Literature as ART
Ambiguity
Approaching the Art of Fiction
Defining the Short Story
Evaluating Short Fiction
Craft of Fiction: PLOT
Craft of Fiction: CHARACTER
Small Group Exercise
ARABY by James Joyce
WHERE ARE YOU GOING, WHERE HAVE YOU BEEN? by Joyce Carol Oates
Our RITES OF PASSAGE Theme
A note about GIRL
POE and the art of STORY OF A HOUR
THE YELLOW WALLPAPER
YOUNG MAN ON SIXTH AVENUE
Notes on Innovative Fiction
Assignment Sheet for Paper #1
Fiction and Ambiguity - Your Questions
Writing Workshop - Short Fiction
Poetry Journal Project Assignment Sheet
LITERARY SYNTHESIS PROJECT
Defining Poetry
Reading Poetry
The Craft of Poetry
Drama and Tragedy
Study Questions: DEATH OF A SALESMAN
Paper #4 Assignment Sheet
Critical Thinking and Commentary
Casebook: Evaluating Sources Worksheet
Selecting Information
Evaluating Arguments
CASEBOOK PROJECT Assignment Sheet
Approaching Persuasive Writing
Topic Development - Profile Essay
Generating Ideas for the Profile Essay
Paper #2 Assignment Sheet
Profile Exercise
Analyzing THE FIVE BEDROOM, SIX FIGURE ROOTLESS LIFE
Objective Writing: Selected Readings
Writing Workshop: Paper #1
Expressive Writing in the NYTimes
Writing Effective Introductions and Conclusions
Paper #1: IDENTITY
Expressive Writing
Open Letter Exercise and Examples
EMERSON on Individuality vs. Conformity
Literature related to IDENTITY
Understanding the 'Rhetorical Situation'
Weblog for WRT 120
Writing Assistance on the Web
Blackboard at WCU
WCU Homepage
WCU's Francis Harvey Green Library
One Last Look at Imaginary Worlds
Franz Kafka's BEFORE THE LAW
Analyzing WAITING FOR GODOT
Approaching WAITING FOR GODOT
Paper #3: Assignment Sheet
Paper #4: Independent Project
The Problem of Stability in BRAVE NEW WORLD
UTOPIA/DYSTOPIA Links
Analyzing Huxley's BRAVE NEW WORLD
Defining Utopia
Embarking on Huxley's BRAVE NEW WORLD
A Reading of Shakespeare's THE TEMPEST
From today's news (11/3/05)
Assignment Sheet for Paper #2
Goodbye to Dante's Imaginary World
Stepping Through Dante's Inferno: Cantos 10-34
Stepping Through Dante's Inferno: Cantos 1-10
INFERNO: Questions/Analysis: Cantos 32-34
INFERNO: Questions/Analysis: Cantos 18-31
INFERNO: Questions for Analysis: Cantos 12-17
INFERNO: Structure
INFERNO: Questions for Analysis: Cantos 1-5
INFERNO: Analyzing Canto 1
Relating to Dante's Inferno
Approaching Dante's DIVINE COMEDY
A Little Help with Dante's INFERNO
Assignment Sheet for Paper #1
Notes on LEAF BY NIGGLE
Responses to LEAF BY NIGGLE
ON FAIRY STORIES: An Essay by Tolkien
Notes on Axolotl
Reading Ovid's Tales
From Myth to Literature: Approaching Ovid's Tales
Notes on THE EYE OF THE GIANT
Functions of the Genesis Tales
Analyzing Mythic Tales
Defining Mythology
Filtering the Introduction to FANTASTIC WORLDS
Commentary on LA BELLE DAME SANS MERCI by Keats
Commentary on DARKNESS by Byron
Handout: Imagination Poems Set
What is Imagination?
Our Course Theme: Imaginary Worlds
LIT 165 Assignments: Fall 2005
LIT 165 Announcements: Fall 2005
Imaginary Worlds: Course Syllabus
Paper #4: Independent Thinking/Reading/Writing
Casebook Preparation Checklist
Casebook Assignment Schedule
Evaluating Sources for the Casebook
Casebook Project Assignment Sheet
Notes on Rational Argument
Argument
Assignment Sheet: Objective Writing
Reviewing Elements of the Profile Essay
Writing the Profile Essay
Readings: Objective Writing
Assignment Sheet: Expressive Writing
Rubric for Evaluation of Writing
About SKIN DEEP
Emerson on Individuality vs. Conformity
Mind-map: Identity
Understanding the 'Rhetorical Situation'
Assignments Page
Announcements Page
WRT 120 Course Syllabus for Fall 2005
Weblog for WRT 120
Writing Assistance on the Web
Blackboard at WCU
WCU Homepage
WCU's Francis Harvey Green Library
- Begin with a brief but descriptive anecdote (or scene)/Return to wrap up this anecdote (or scene) in your conclusion to provide closure. This strategy gets readers emotionally involved, participating on a visceral level.
- Begin by creating a vivid sense of place/Conclude by leaving readers with a vivid image that will help them reflect on the meaning of your paper. This also gets readers immediately involved. The scene you set can be relevant to your discussion in a creative way.
- Begin/End with a hypothetical, imaginary scenario. A scenario is an imagined sequence of potential events; these are possibilities you imagine, you invent. Scenarios can really get readers’ attention because they are usually intriguing or unexpected or highly emotional in some way. Because they offer readers a chance to use their imaginations, they are a great way to get readers involved in your subject.
- Begin/End with a startling fact or statistic. This helps to wake readers out of their ho-hum, know-it-all, been-there-done-that complacency. When you’re able to surprise readers with something they haven’t expected, they’ll be likely to pay close attention. Sometimes “startling” readers is just a matter of reporting obvious facts that aren’t well known or acknowledged.
- Begin/end with a quotation. Include a memorable quotation that’s either highly meaningful, colorful, famous, or attributed to a well-known person—it can help establish your credibility and it can sometimes challenge your readers (in a good way) into paying close attention. Used in the conclusion, it gives you the opportunity to leave readers with a challenge to mull over, and it may help them remember your paper longer.
- Ask a question at the beginning/Leave your readers with a question at the end. This involves readers immediately by asking them to participate, to come up with an answer. They’ll want to compare your answer to their own.
- Begin by providing necessary background information readers may need/End by putting your discussion in a particular context or framework. If crucial information isn’t provided at the beginning of a discussion readers may feel lost, like they’ve missed something. Reinforce the particular context of your discussion in your conclusion.
- Be creative. Come up with your own creative “hook.”