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EDUCATIONAL
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West Chester University
Spring 2006 and Fall
2005
West Chester University
Fall 2004and
Spring 2005
Spring 2003
Fall 2002
Spring 2002
Fall 2001
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Course Syllabi and Announcements LIT 165 Syllabus LIT 165 Announcements and Assignments WRT 120 Syllabus WRT 120 Announcements and Assignments
Notebook for Topics in Literature: Imaginary Worlds (Spring 2008) A Reading of THE TEMPEST
Notebook for Topics in Literature: Rites of Passage (Spring 2006) Goals of the Course Fundamental Questions about Literature Valuing Literature Critical Thinking and Reading Literature Critical Approaches to Literature Literature as ART Ambiguity Approaching the Art of Fiction Defining the Short Story Evaluating Short Fiction Craft of Fiction: PLOT Craft of Fiction: CHARACTER Small Group Exercise ARABY by James Joyce WHERE ARE YOU GOING, WHERE HAVE YOU BEEN? by Joyce Carol Oates Our RITES OF PASSAGE Theme A note about GIRL POE and the art of STORY OF A HOUR THE YELLOW WALLPAPER YOUNG MAN ON SIXTH AVENUE Notes on Innovative Fiction Assignment Sheet for Paper #1 Fiction and Ambiguity - Your Questions Writing Workshop - Short Fiction Poetry Journal Project Assignment Sheet LITERARY SYNTHESIS PROJECT Defining Poetry Reading Poetry The Craft of Poetry Drama and Tragedy Study Questions: DEATH OF A SALESMAN
Notebook for Effective Writing I (Spring 2006) Paper #4 Assignment Sheet Critical Thinking and Commentary Casebook: Evaluating Sources Worksheet Selecting Information Evaluating Arguments CASEBOOK PROJECT Assignment Sheet Approaching Persuasive Writing Topic Development - Profile Essay Generating Ideas for the Profile Essay Paper #2 Assignment Sheet Profile Exercise Analyzing THE FIVE BEDROOM, SIX FIGURE ROOTLESS LIFE Objective Writing: Selected Readings Writing Workshop: Paper #1 Expressive Writing in the NYTimes Writing Effective Introductions and Conclusions Paper #1: IDENTITY Expressive Writing Open Letter Exercise and Examples EMERSON on Individuality vs. Conformity Literature related to IDENTITY Understanding the 'Rhetorical Situation'
Go Exploring Weblog for WRT 120 Writing Assistance on the Web Blackboard at WCU WCU Homepage WCU's Francis Harvey Green Library
Notebook for Topics in Literature: Imaginary Worlds (Fall 2005) One Last Look at Imaginary Worlds Franz Kafka's BEFORE THE LAW Analyzing WAITING FOR GODOT Approaching WAITING FOR GODOT Paper #3: Assignment Sheet Paper #4: Independent Project The Problem of Stability in BRAVE NEW WORLD UTOPIA/DYSTOPIA Links Analyzing Huxley's BRAVE NEW WORLD Defining Utopia Embarking on Huxley's BRAVE NEW WORLD A Reading of Shakespeare's THE TEMPEST From today's news (11/3/05) Assignment Sheet for Paper #2 Goodbye to Dante's Imaginary World Stepping Through Dante's Inferno: Cantos 10-34 Stepping Through Dante's Inferno: Cantos 1-10 INFERNO: Questions/Analysis: Cantos 32-34 INFERNO: Questions/Analysis: Cantos 18-31 INFERNO: Questions for Analysis: Cantos 12-17 INFERNO: Structure INFERNO: Questions for Analysis: Cantos 1-5 INFERNO: Analyzing Canto 1 Relating to Dante's Inferno Approaching Dante's DIVINE COMEDY A Little Help with Dante's INFERNO Assignment Sheet for Paper #1 Notes on LEAF BY NIGGLE Responses to LEAF BY NIGGLE ON FAIRY STORIES: An Essay by Tolkien Notes on Axolotl Reading Ovid's Tales From Myth to Literature: Approaching Ovid's Tales Notes on THE EYE OF THE GIANT Functions of the Genesis Tales Analyzing Mythic Tales Defining Mythology Filtering the Introduction to FANTASTIC WORLDS Commentary on LA BELLE DAME SANS MERCI by Keats Commentary on DARKNESS by Byron Handout: Imagination Poems Set What is Imagination? Our Course Theme: Imaginary Worlds LIT 165 Assignments: Fall 2005 LIT 165 Announcements: Fall 2005 Imaginary Worlds: Course Syllabus
Notebook for Effective Writing I (Fall 2005) Paper #4: Independent Thinking/Reading/Writing Casebook Preparation Checklist Casebook Assignment Schedule Evaluating Sources for the Casebook Casebook Project Assignment Sheet Notes on Rational Argument Argument Assignment Sheet: Objective Writing Reviewing Elements of the Profile Essay Writing the Profile Essay Readings: Objective Writing Assignment Sheet: Expressive Writing Rubric for Evaluation of Writing About SKIN DEEP Emerson on Individuality vs. Conformity Mind-map: Identity Understanding the 'Rhetorical Situation' Assignments Page Announcements Page WRT 120 Course Syllabus for Fall 2005
ENG Q20: Basic Writing
Go Exploring Weblog for WRT 120 Writing Assistance on the Web Blackboard at WCU WCU Homepage WCU's Francis Harvey Green Library
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LIT 165: Topics in
Literature
Independent
Project: Literary Synthesis
Due: May, 2006 (final exam)
Length:
4-6 pages, typed, double spaced
Sources:
One literary work and two outside sources, minimum
Manuscript
and Documentation: Short paper format, MLA parenthetical
citation style
THE
ASSIGNMENT. Choose any single literary work (short story,
poem, or play) from your textbook (other texts may be used with
approval) that interests you. What makes you curious about this
work? For this assignment formulate and then answer a question
that will deepen your understanding of the literary work you’ve
chosen. Achieve this by supplementing your reading of the
literary work with research from the library. Combine and present
your understanding of the literary work together with your researched
information in a synthesis essay. Your goal is to enhance your
reading of the literary work by digging for information that lies
outside of the work itself. The nature of the information you
decide to hunt for is up to you.
SYNTHESIS
CHOICES (Suggestive, not exclusive)
Choose only ONE of these angles to
write a well-focused, in-depth essay.
- Research the
writer’s biography: find facts relating to the author’s life and relate
them to the work.
- Research some
aspect of the work’s subject matter (i.e., marriage, gender roles, post
traumatic stress syndrome, identity crisis, etc.) in greater depth or
currency.
- Research
information on our “rites of passage” course theme and apply it to an
analysis of the work you choose.
- Research some
aspect of the surrounding social context and relate it to the work.
- Compare or
contrast the work with another literary work(s) (for example, another
work or works by the same author, with the same theme, same form, etc.)
- Research
professional critical opinion to supplement or substantiate your own
analysis or interpretation
- Apply one of
the critical approach discussed in your textbook (see handout “Critical
Approaches to Literature”)
- Apply
concepts from another discipline you have studied or are currently
studying (sociological or psychological analysis, Marxism, feminism,
quantum physics, etc.) to some aspect of the literary work (an
interpretation of character, for example).
SAMPLE
QUESTIONS
- What
psychological illness does the wife in “The Yellow Wallpaper” seem to
be suffering from?
- What events
in Charlotte Perkins Gilman’s own life seem to have inspired “The
Yellow Wallpaper”?
- What was
happening in the world in 1945 that might have given Shirley Jackson
such a dark view of human nature in her chilling short story, “The
Lottery”?
- Does Langston
Hughes’ portrayal of racism and discrimination in “Ballad of a
Landlord” accurately reflect the time and place in which the poem was
written and the time in which it is set?
- What is a
“mid-life crisis” and how does the husband’s character in the poem”
Rain” seem to be suffering from one? Is his experience typical or
unique?
- How do the
stories “Eveline” by James Joyce, “Barn Burning” by William Faulkner,
“Where Are You Going, Where Have You Been? By Joyce Carol Oates, and “A
& P” by John Updike handle similar themes in unique ways?
RECALL
THE RESEARCH PROCESS
Phase 1. SUBJECT
------- TOPIC ------- QUESTION
The SUBJECT is the literary work
you choose to work with; the TOPIC is the angle you decide to pursue to
enrich your understanding of the literary work. There are several
angles to choose from, some of which are listed and illustrated
below, but you can also pursue your own interests if you find your
ideas don’t match those listed. Turn your topic into a QUESTION to
focus your research and guide your search for sources.
Phase 2. GATHER
INFORMATION------- TAKE NOTES-------------- FORM YOUR THESIS
Use the familiar library resources
you can rely on to gather credible information; evaluate, analyze and
select the best source material you can find. Carefully note the
bibliographic data for each source to avoid plagiarism. Your analysis
of your material should help you arrive at your THESIS, a general,
explicit statement which answers your research question and serves as
the controlling idea for your essay.
Phase 3.
DRAFT YOUR PAPER
Write your paper in stages: the
rough draft, the revised draft, and the final manuscript.
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