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Spring 2006 and Fall
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Course Syllabi and Announcements LIT 165 Syllabus LIT 165 Announcements and Assignments WRT 120 Syllabus WRT 120 Announcements and Assignments
Notebook for Topics in Literature: Imaginary Worlds (Spring 2008) A Reading of THE TEMPEST
Notebook for Topics in Literature: Rites of Passage (Spring 2006) Goals of the Course Fundamental Questions about Literature Valuing Literature Critical Thinking and Reading Literature Critical Approaches to Literature Literature as ART Ambiguity Approaching the Art of Fiction Defining the Short Story Evaluating Short Fiction Craft of Fiction: PLOT Craft of Fiction: CHARACTER Small Group Exercise ARABY by James Joyce WHERE ARE YOU GOING, WHERE HAVE YOU BEEN? by Joyce Carol Oates Our RITES OF PASSAGE Theme A note about GIRL POE and the art of STORY OF A HOUR THE YELLOW WALLPAPER YOUNG MAN ON SIXTH AVENUE Notes on Innovative Fiction Assignment Sheet for Paper #1 Fiction and Ambiguity - Your Questions Writing Workshop - Short Fiction Poetry Journal Project Assignment Sheet LITERARY SYNTHESIS PROJECT Defining Poetry Reading Poetry The Craft of Poetry Drama and Tragedy Study Questions: DEATH OF A SALESMAN
Notebook for Effective Writing I (Spring 2006) Paper #4 Assignment Sheet Critical Thinking and Commentary Casebook: Evaluating Sources Worksheet Selecting Information Evaluating Arguments CASEBOOK PROJECT Assignment Sheet Approaching Persuasive Writing Topic Development - Profile Essay Generating Ideas for the Profile Essay Paper #2 Assignment Sheet Profile Exercise Analyzing THE FIVE BEDROOM, SIX FIGURE ROOTLESS LIFE Objective Writing: Selected Readings Writing Workshop: Paper #1 Expressive Writing in the NYTimes Writing Effective Introductions and Conclusions Paper #1: IDENTITY Expressive Writing Open Letter Exercise and Examples EMERSON on Individuality vs. Conformity Literature related to IDENTITY Understanding the 'Rhetorical Situation'
Go Exploring Weblog for WRT 120 Writing Assistance on the Web Blackboard at WCU WCU Homepage WCU's Francis Harvey Green Library
Notebook for Topics in Literature: Imaginary Worlds (Fall 2005) One Last Look at Imaginary Worlds Franz Kafka's BEFORE THE LAW Analyzing WAITING FOR GODOT Approaching WAITING FOR GODOT Paper #3: Assignment Sheet Paper #4: Independent Project The Problem of Stability in BRAVE NEW WORLD UTOPIA/DYSTOPIA Links Analyzing Huxley's BRAVE NEW WORLD Defining Utopia Embarking on Huxley's BRAVE NEW WORLD A Reading of Shakespeare's THE TEMPEST From today's news (11/3/05) Assignment Sheet for Paper #2 Goodbye to Dante's Imaginary World Stepping Through Dante's Inferno: Cantos 10-34 Stepping Through Dante's Inferno: Cantos 1-10 INFERNO: Questions/Analysis: Cantos 32-34 INFERNO: Questions/Analysis: Cantos 18-31 INFERNO: Questions for Analysis: Cantos 12-17 INFERNO: Structure INFERNO: Questions for Analysis: Cantos 1-5 INFERNO: Analyzing Canto 1 Relating to Dante's Inferno Approaching Dante's DIVINE COMEDY A Little Help with Dante's INFERNO Assignment Sheet for Paper #1 Notes on LEAF BY NIGGLE Responses to LEAF BY NIGGLE ON FAIRY STORIES: An Essay by Tolkien Notes on Axolotl Reading Ovid's Tales From Myth to Literature: Approaching Ovid's Tales Notes on THE EYE OF THE GIANT Functions of the Genesis Tales Analyzing Mythic Tales Defining Mythology Filtering the Introduction to FANTASTIC WORLDS Commentary on LA BELLE DAME SANS MERCI by Keats Commentary on DARKNESS by Byron Handout: Imagination Poems Set What is Imagination? Our Course Theme: Imaginary Worlds LIT 165 Assignments: Fall 2005 LIT 165 Announcements: Fall 2005 Imaginary Worlds: Course Syllabus
Notebook for Effective Writing I (Fall 2005) Paper #4: Independent Thinking/Reading/Writing Casebook Preparation Checklist Casebook Assignment Schedule Evaluating Sources for the Casebook Casebook Project Assignment Sheet Notes on Rational Argument Argument Assignment Sheet: Objective Writing Reviewing Elements of the Profile Essay Writing the Profile Essay Readings: Objective Writing Assignment Sheet: Expressive Writing Rubric for Evaluation of Writing About SKIN DEEP Emerson on Individuality vs. Conformity Mind-map: Identity Understanding the 'Rhetorical Situation' Assignments Page Announcements Page WRT 120 Course Syllabus for Fall 2005
ENG Q20: Basic Writing
Go Exploring Weblog for WRT 120 Writing Assistance on the Web Blackboard at WCU WCU Homepage WCU's Francis Harvey Green Library
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Paper # 2: Objective Writing
The Profile
pine leaf
Objectives: (1) to choose, on
your own, a suitable subject for a profile essay; (2) to meet the
objective as well as the expressive aims of the profile genre;
(3) to closely observe your subject and then communicate those
observations by using a combination of objective and subjective
description, as well as any supplemental information you might consider
necessary; (4) to continue to practice techniques for generating ideas
(brainstorming, freewriting, mind-mapping); (5) to continue to practice
revision, and in revising to consider the larger rhetorical situation:
the ways in which the needs of the writer, the subject, and the
audience can all be successfully accommodated in a piece of writing;
(6) to practice careful editing and proofreading.
Directions:
Choose a suitable subject for a profile essay and write a 4-5 page
profile essay. You can choose to write about a person, a group of
people, or a place. Further suggestions for topics are below.
Recalling the
aims of the profile essay
The factual information and the
objective description you provide have the effect of informing readers
about your subject. This kind of content meets the objective aims
of the profile. The impressions you communicate through
subjective description—the words you choose to create a positive or
negative impression about your subject—have the effect of making
readers feel a certain way about your subject. This kind of
content meets the expressive aims of the profile. As the writer you
will decide how expressive and how objective you want your profile to
be. You can choose to write a mostly objective or mostly
expressive profile, or a profile that provides an equal mixture of the
two. In the end, readers should come away from your paper knowing
something about your subject and also about your impression, or your
feeling, toward your subject.
Recall the way the readings we’ve
discussed in class, as well as the readings in Chapter 7, have
demonstrated the subtle way profile essays blend objective and
expressive content. “The Five Bedroom, Six Figure Rootless Life”
and “Soldiers of Christ: Inside America’s most powerful megachurch” are
both profile essays that blend information and impression in sometimes
obvious, sometimes subtle ways.
Starting your
profile essay
Read Trimbur’s suggestions for
choosing a topic for a profile essay in The Call to Write (pp. 249,
#1-5). If you can’t think of an interesting subject for your
profile, this may get you started. To further help you get
started, you can work on completing one or more of the “Invention”
exercises: Finding a Subject (p. 250), Clarifying Your Purpose (p.
251), Developing a Statement of Purpose (p. 251), Deciding on the
Dominant Impression (p. 252), Arranging Your Material (p. 253).
Some general
ideas for writing profiles: people, places, events
- Go to a
familiar place (the quad, a dorm lounge, the library, a favorite
hangout) and closely observe the details of the physical space, the
people, and the kinds of activities going on to write a profile of the
place. Conduct one or more interviews to include the
personalities of the people who visit this place, so that you can
represent their attitudes about it in addition to your own.
- Write about a
person you know who you feel represents someone “typical” (as the Links
are a “typical” relo family, or New Life a typical “megachurch”).
Some examples might be: the typical WCU student, the typical
student-athlete, the typical RA. You can use your imagination and
find someone you would be interested in observing and writing about.
- Write about a
person who seems entirely unique to you and present this person in in a
profile essay that emphasizes and highlights that uniqueness. Conduct
an interview if you can.
- Closely
observe someone from a different generation to discover some
significant differences in perspective between you and this
person. You can arrive at an understanding of these differences
based on your own observations, or you can try to conduct an interview
with one or more people from that particular generation.
- Write an
informative profile of someone already well known (a great contemporary
or historical figure, an artist, a celebrity, a political personality,
a sports hero, etc.) but make an attempt to present this person to your
readers in a light of your own impressions or unique perspective.
- Write an
informative profile about WCU. Include information about the
campus as well as your impressions of several aspects of campus
life. You have the ability to provide an insider’s view. Take
your readers behind the curtain, beyond the confines of the typical
promotional brochure.
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