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Brainstorm
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EDUCATIONAL
MATERIALS
West Chester University
Spring 2006 and Fall
2005
West Chester University
Fall 2004and
Spring 2005
Spring 2003
Fall 2002
Spring 2002
Fall 2001
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Course Syllabi and Announcements LIT 165 Syllabus LIT 165 Announcements and Assignments WRT 120 Syllabus WRT 120 Announcements and Assignments
Notebook for Topics in Literature: Imaginary Worlds (Spring 2008) A Reading of THE TEMPEST
Notebook for Topics in Literature: Rites of Passage (Spring 2006) Goals of the Course Fundamental Questions about Literature Valuing Literature Critical Thinking and Reading Literature Critical Approaches to Literature Literature as ART Ambiguity Approaching the Art of Fiction Defining the Short Story Evaluating Short Fiction Craft of Fiction: PLOT Craft of Fiction: CHARACTER Small Group Exercise ARABY by James Joyce WHERE ARE YOU GOING, WHERE HAVE YOU BEEN? by Joyce Carol Oates Our RITES OF PASSAGE Theme A note about GIRL POE and the art of STORY OF A HOUR THE YELLOW WALLPAPER YOUNG MAN ON SIXTH AVENUE Notes on Innovative Fiction Assignment Sheet for Paper #1 Fiction and Ambiguity - Your Questions Writing Workshop - Short Fiction Poetry Journal Project Assignment Sheet LITERARY SYNTHESIS PROJECT Defining Poetry Reading Poetry The Craft of Poetry Drama and Tragedy Study Questions: DEATH OF A SALESMAN
Notebook for Effective Writing I (Spring 2006) Paper #4 Assignment Sheet Critical Thinking and Commentary Casebook: Evaluating Sources Worksheet Selecting Information Evaluating Arguments CASEBOOK PROJECT Assignment Sheet Approaching Persuasive Writing Topic Development - Profile Essay Generating Ideas for the Profile Essay Paper #2 Assignment Sheet Profile Exercise Analyzing THE FIVE BEDROOM, SIX FIGURE ROOTLESS LIFE Objective Writing: Selected Readings Writing Workshop: Paper #1 Expressive Writing in the NYTimes Writing Effective Introductions and Conclusions Paper #1: IDENTITY Expressive Writing Open Letter Exercise and Examples EMERSON on Individuality vs. Conformity Literature related to IDENTITY Understanding the 'Rhetorical Situation'
Go Exploring Weblog for WRT 120 Writing Assistance on the Web Blackboard at WCU WCU Homepage WCU's Francis Harvey Green Library
Notebook for Topics in Literature: Imaginary Worlds (Fall 2005) One Last Look at Imaginary Worlds Franz Kafka's BEFORE THE LAW Analyzing WAITING FOR GODOT Approaching WAITING FOR GODOT Paper #3: Assignment Sheet Paper #4: Independent Project The Problem of Stability in BRAVE NEW WORLD UTOPIA/DYSTOPIA Links Analyzing Huxley's BRAVE NEW WORLD Defining Utopia Embarking on Huxley's BRAVE NEW WORLD A Reading of Shakespeare's THE TEMPEST From today's news (11/3/05) Assignment Sheet for Paper #2 Goodbye to Dante's Imaginary World Stepping Through Dante's Inferno: Cantos 10-34 Stepping Through Dante's Inferno: Cantos 1-10 INFERNO: Questions/Analysis: Cantos 32-34 INFERNO: Questions/Analysis: Cantos 18-31 INFERNO: Questions for Analysis: Cantos 12-17 INFERNO: Structure INFERNO: Questions for Analysis: Cantos 1-5 INFERNO: Analyzing Canto 1 Relating to Dante's Inferno Approaching Dante's DIVINE COMEDY A Little Help with Dante's INFERNO Assignment Sheet for Paper #1 Notes on LEAF BY NIGGLE Responses to LEAF BY NIGGLE ON FAIRY STORIES: An Essay by Tolkien Notes on Axolotl Reading Ovid's Tales From Myth to Literature: Approaching Ovid's Tales Notes on THE EYE OF THE GIANT Functions of the Genesis Tales Analyzing Mythic Tales Defining Mythology Filtering the Introduction to FANTASTIC WORLDS Commentary on LA BELLE DAME SANS MERCI by Keats Commentary on DARKNESS by Byron Handout: Imagination Poems Set What is Imagination? Our Course Theme: Imaginary Worlds LIT 165 Assignments: Fall 2005 LIT 165 Announcements: Fall 2005 Imaginary Worlds: Course Syllabus
Notebook for Effective Writing I (Fall 2005) Paper #4: Independent Thinking/Reading/Writing Casebook Preparation Checklist Casebook Assignment Schedule Evaluating Sources for the Casebook Casebook Project Assignment Sheet Notes on Rational Argument Argument Assignment Sheet: Objective Writing Reviewing Elements of the Profile Essay Writing the Profile Essay Readings: Objective Writing Assignment Sheet: Expressive Writing Rubric for Evaluation of Writing About SKIN DEEP Emerson on Individuality vs. Conformity Mind-map: Identity Understanding the 'Rhetorical Situation' Assignments Page Announcements Page WRT 120 Course Syllabus for Fall 2005
ENG Q20: Basic Writing
Go Exploring Weblog for WRT 120 Writing Assistance on the Web Blackboard at WCU WCU Homepage WCU's Francis Harvey Green Library
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What is your poetry
journal project? This project will represent the record of your
independent work with several poems you choose on your own. You
can choose works I’ve assigned the class but you are not required
to. Your project includes the text of the works you choose and
your original commentary. Your commentary should include both
personal reflection (response writing) and objective analysis or
interpretation, although you may choose one approach over the other for
individual poems. You’re invited (and encouraged) to be creative
in the structure, arrangement and final presentation of your finished
journal, though you must meet the requirements below.
JOURNAL
REQUIREMENTS
Give your
journal a title and create an attractive cover page
Include the
text of each work you choose
Choose a
minimum of 10 works (3 works max. by the same author); song lyrics are
acceptable, but the journal must be at least 50% written poetry
Approximately
250 words (minimum) of commentary for each poem (in a 12pt. font, this
is about half a page, single-spaced). No maximum; you can write
as much as you’d like.
Minimum of one
additional original poem (so that the journal contains a total of 11
works all together as a minimum)
SUGGESTED READING
Notes relating
to Poetry on the course website
[http://brainstorm-services.com/wcu-2005]
Textbook:
Compact Bedford Introduction to Literature, “Reading Poetry” (pp.
563-584)
GUIDELINES FOR
PERSONAL REFLECTION (response writing)
Use the
material in the poem as a springboard for exploring your own personal
experiences, emotions, attitudes. Compare/contrast your
understanding of the poem’s voice or vision with your own experience of
the world. For more guidance, refer to your handout, “Reading
Literature Responsively.”
GUIDELINES FOR
OBJECTIVE ANALYSIS / INTERPRETATION
Follow these steps to objectively
analyze and interpret the works you’ve chosen:
Step 1:
Observe. Paraphrase the work. In your own words, create a “play
by play” view of what happens in the poem.
Step 2: Draw
Inferences. Discuss possible interpretations of the work’s
meaning or theme. Ask yourself, “What is this work about? What
does it have to say? What’s the attitude of the speaker?”
Step 3: Support
your inferences. Which details help illustrate the themes
identified in step 2? Can you quote these as evidence to support your
interpretation? Which lines, relevant figures of speech, patterns
of imagery, stanzas structures, rhyme schemes or sound effects
contribute to your sense of the work’s meaning, your interpretation?
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